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These fashions tips were published in a very popular magazine in
December of 1856. As might be expected, the flounce, bouillonnée,
passamenterie, and of course black lace, were all definitely in. —fadedpages.com
Fashions for December.
Figures 1, 2, 3, and 4.—Evening Costumes And Sortie du Bal.
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FIGURE 1 is a dress of rich light-blue taffeta, with flounces of
velours épingle, representing tangled beds of roses, in their
natural colors. The berthe and sleeves are similar in design, but
narrower. The berthe forms epaulettes on the shoulders, and meets
in a point about the mid-depth of the corsage, which is pointed.
The skirt is full, with three flounces, of which only the upper
one appears in the figure. Upon the edge is woven a narrow fringe,
and narrow lines of blue velvet run parallel with the flounces. A
bouillonnée of the same material as the dress trims its top,
which is further enriched with an engrélure of point lace. The
under-sleeves are puffed, with narrow stripes of cerise velvet
running lengthwise. The hair is ornamented with autumn-tinted
vine-leaves and green grapes.
In Figure 2, the Head-Dress is a transparent, quarilled with black
velvet, each mesh ornamented with a pearl, and surrounded with
black lace, set on full, intermingled with ivy-leaves, berries,
and crimson fuchsias.
Figure 3 is a Sortie du Bal of white glacé. The shoulders are
laid in narrow flat plaits, which merge in wider ones below. A
deep pointed hood, with tassels at the back, falls upon the
shoulders. Its general form is circular. The passamenterie is of
azure velvet ribbon and lozenge-formed puffs of taffeta of similar
shade, with a pearl on each corner. The spaces between the puffs
are occupied by fan-shaped ornaments of bugles—blue and white
alternately. A cord, with loops and tassels, gives an appropriate
finish to this garment.
FIGURE 4.—Evening Dress. Hair à la Grec, with coiffure of
miniature fruits and flowers. Long drops ornament the ears. Three
rows of black lace cover the shoulders, and, forming the sleeves,
terminate in a point at the waist, where they form a V-shaped
front to the corsage. At the back the lace passes across, making
three flounces over the dress, which is of azol-green taffeta.
Alternate bouillonnées of lace and twists of the silk occupy
the front of the corsage. The skirt is very full, and set on in
hollow plaits, with three lace flounces, festooned, and caught up
in front by ribbons.
Figure 5.—Coiffure en Cheveu. Figure 6.—Head-Dress. Figure 7.—Coiffure d'Oude.
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The Coiffure in Figure 5 will afford a hint for arranging the hair
for ordinary occasions, independent of the ornaments here
introduced. The wreath is of artificial fruits and flowers; the
leaves being of varied tints of green and deep autumnal hues. A
nœud of black velvet ribbon, with floats, is placed below.
This may be spotted with pearls and edged with black lace.
The Head-Dress in Figure 6 is of velvet, similar to that described
above; or it may be ornamented with straw buttons, with single
straws of chenille.
The Coiffure d' Oude (Fig. 7), is very novel. It is composed of
light-blue or rose-colored lisse, or other similar texture,
striped with satin ribbon, ornamented with rows of pearl. This is
gracefully twisted, so as to form, with an opposite garland of
white lilies, a wreath with trailing sprays. The drapery is
fringed with gold.
Cloaks fashioned like those known as "traveling cloaks," are much
in favor. They are of ladies' cloths. Bonnets are ornamented with
bird-ofparadise plumes; shapes of the crown vary at pleasure;
perhaps the curtains are less deep than heretofore, otherwise
there is little change. They still flare greatly, and are small
over the head.—Lappets, basques, and flounces, retain their
popularity.—Skirts, when plain, are often trimmed up the front
with passamenteries.—Buttons are in vogue for ornaments; many
of these are very elegant.—Velvets and black laces are much
used as ornaments.
Warning - This information has been transcribed
from a source that is well over 100 years old. It may be incorrect or
outdated in some cases. For example, fashions change—you could be laughed at. It
is also possible that errors were made during the transcription process. This
information is being made available for entertainment purposes only.
This HTML version of this very old article is the work of Bob Selfinger,
and any graphic creation or enhancement is the work of Bob Selfinger.
Copyright ©2004 Bob Selfinger. All Rights Reserved.
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